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Death on the Down Beat

An Orchestral Fantasy of Detection

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1 of 1 copy available
1 of 1 copy available

"A one-of-a-kind treat from the golden age."— Kirkus Reviews

From music conductor turned crime fiction novelist, Sebastian Farr, comes an epistolary tour de force that hits the perfect murderous crescendo for music and crime fiction aficionados alike.

During a performance of Strauss' tone poem 'A Hero's Life', the obnoxious conductor, Sir Noel Grampian, is shot dead in full view of the Maningpool Municipal Orchestra. He had many enemies, musicians and music critics among them, but to be killed in mid flow suggests an act of the coldest calculation. 

Told through the letters of Detective Inspector Alan Hope to his wife, he puzzles over his findings, and other documents such as the letters of members of the orchestra and musical notation holding clues to the crime.

This addition to the Crime Classics series is an immersive musical mystery, featuring diagrams of the orchestra arrangement and four pages of musical notation with relevance to the plot. First published in 1941 but out-of-print since, this is by a lost writer of the genre, Sebastian Farr (a pseudonym for Eric Walter Blom), a prolific Swiss-born and British-naturalised music lexicographer, music critic and writer.

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    • Kirkus

      August 1, 2023
      Murder during a concert performance kicks off a genuine curiosity: a one-off by pseudonymous music scholar and journalist Eric Walter Blom (1888-1959) that's been mostly forgotten since its first publication in 1941. Almost none of the performers in the Maningpool Municipal Orchestra have a kind word for Sir Noel Grampian, their late conductor. He was sarcastic and abusive, and his wife, Letty, hadn't lived with him for years, ever since she found out about his extramarital dalliances. But who could have ended his career with such shocking decisiveness by shooting him dead in the middle of Richard Strauss' tone poem Ein Heldenleben? DI Alan Hope, the Scotland Yard detective who'd just left Maningpool to avoid hearing a concert in which Grampian might have been hard on his wife Julia's friend and Lady Letty's sister, Beatrice Gillighan, who plays second harp for the orchestra on those rare occasions when a score calls for two harps, is promptly called back to investigate. In a series of letters and other documents he sends to Julia, he explains why Grampian must have been shot by someone actually in the orchestra, someone who took advantage of a particularly noisy outburst in which the composer imitated, and now concealed, gunfire. The suspects and their motives are, as even Hope acknowledges, utterly forgettable, and his letters to Julia, cloyingly facetious. But the puzzle itself, drawing on details the author helpfully provides about the decorum of orchestral performance generally and Ein Heldenleben in particular, is first-rate. A one-of-a-kind treat from the golden age best enjoyed with appropriate musical accompaniment.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

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